Ingmar Bergman once had a screenplay or a script treatment published in the New Yorker and he was meticulous in describing the lighting of each scene. One sticks with me -- he speaks of the light coming through a window on the morning when the first snow has fallen. It's true, there is a new light when that happens.
I have Bergman to thank for this awareness of mine.
And for a lot of other awarenesses, too. I have The Seventh Seal and Truffaut's 400 Blows to thank for opening my eyes to what a movie could do.
Come to think of it, the light at the beach in the freeze frame at the end of 400 Blows is pretty wonderful...
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